- Emily Blunt’s daughters, Hazel and Violet, were distressed by the underwater scenes in “Jungle Cruise,” where Blunt’s character, Dr. Lily Houghton, is trapped and in peril.
- Despite the film being based on a Disney attraction and aimed at children, the underwater sequences were particularly upsetting for Blunt’s daughters.
- This experience highlights the complex emotions that can arise from watching a parent perform in roles that involve danger or peril, especially for children.
- Blunt’s candidness about this experience underscores the broader conversation about the impact of media on children and the unique challenges faced by parents in the entertainment industry.
Newsypeople- Emily Blunt, the British actress known for her roles in films like “The Devil Wears Prada” and “Oppenheimer,” recently shared a heartfelt moment about her experience filming the 2021 movie “Jungle Cruise.”
In this action-adventure film, based on a Disney attraction, Blunt plays Dr. Lily Houghton, a scientist who embarks on a perilous journey down the Amazon River with Dwayne Johnson’s character, a riverboat captain. Despite the film’s family-friendly appeal, Blunt’s daughters, Hazel, nine, and Violet, seven, found the underwater scenes particularly distressing.
Blunt, who shares her children with husband John Krasinski, expressed that her daughters did not enjoy watching her character in danger. The underwater sequences, where Dr. Houghton is trapped and in peril, were particularly upsetting for them. Blunt revealed that her daughters had only seen “Jungle Cruise” once and, upon seeing their mother’s character in such high-stakes situations, they started crying and left the room.
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Emily Blunt’s ‘Jungle Cruise’ Underwater Scenes Traumatize Daughters
Emily Blunt, known for her roles in films like “The Devil Wears Prada,” “Mary Poppins Returns,” and “Jungle Cruise,” shared a touching moment about her daughters’ reactions to her underwater scenes in “Jungle Cruise.” Blunt, who is married to John Krasinski, has two daughters, Hazel, aged nine, and Violet, aged seven. In an interview, she discussed how her daughters found it unsettling to watch her in certain roles, particularly in “Jungle Cruise,” due to the intense underwater scenes where her character, Dr. Lily Houghton, is trapped and in peril.
Blunt revealed that her daughters did not enjoy watching her in these scenes, which were part of the action-comedy based on the Disneyland theme park ride of the same name. The film, which also stars Dwayne Johnson, places Blunt’s character in several high-stakes underwater situations along the Amazon river, where fantastically fearsome foes await. Despite the film being aimed at children and based on a Disney attraction, Blunt’s daughters were distressed by the scenes where their mother’s character is in danger.
Emily Blunt reveals how her two young daughters cry when they see her 'trapped and in peril' while onscreen and in character: 'They didn't like the underwater stuff' https://t.co/gX1Hi1g9H1
— Daily Mail Celebrity (@DailyMailCeleb) May 6, 2024
Blunt’s daughters, Hazel and Violet, reportedly cried during these scenes, finding them too intense to watch. This reaction was particularly notable because it was their first viewing of “Jungle Cruise,” indicating that the underwater scenes had a significant impact on them. Blunt’s comments highlight the emotional connection between parents and their children, especially when it comes to watching their loved ones in roles that involve danger or peril.
This moment underscores the personal impact of an actor’s work on their family, showing how deeply the characters they portray can resonate with their loved ones. It also reflects on the complexities of parenthood and the challenges of balancing professional commitments with the emotional needs of one’s family.
Emily Blunt preparation For The Underwater Scenes In “Jungle Cruise”
Emily Blunt’s preparation for the underwater scenes in “Jungle Cruise” involved a combination of technical expertise, physical training, and the use of controlled environments to ensure safety and efficiency. The key sequence required her character, Lily Houghton, to dive off a boat and solve an underwater puzzle, which involved being trapped and fighting for air.
This sequence was filmed in two parts: one where the actors jump into the water, and the other where they are underwater. The underwater scenes were shot in a 177,000-gallon tank at Blackhall Studios in Atlanta, which provided a controlled environment for visibility and water temperature regulation.
Ian Seabrook, the underwater director of photography, played a crucial role in ensuring the scenes were shot seamlessly. He highlighted Blunt’s versatility, noting her ability to perform action stunts and act simultaneously. Seabrook also mentioned the importance of the controlled tank environment, which allowed for better visibility and the regulation of water temperature, crucial for maintaining the actors’ comfort and performance.
The filming process was meticulous, with the sequence taking just under two weeks to complete. The underwater unit worked simultaneously with the film’s main and second units, and scheduling was tight, requiring the actors to be present for some shots. However, for parts of the sequence that could be filmed from a distance or with stunt doubles, the schedule was more flexible.
Despite the challenges, Blunt and Johnson were praised for their performance in the water. Seabrook noted that the actors were able to hold their breath for short spurts of time, with takes averaging between 10 and 15 seconds, occasionally up to 30 seconds. This was crucial for maintaining the illusion of the characters being underwater for extended periods.
The sequence also involved complex staging, such as raising the set out of the tank to create the illusion of the water level going down. This required careful coordination and the use of a crane, with Seabrook having to balance the underwater camera while being lifted out of the water. This technical challenge underscored the importance of precision and teamwork in achieving the desired outcome for the underwater scenes.
