Ty Dolla $ign Talks ‘Vultures 2’ Delay After Kanye Collaboration

Newsypeople- Ty Dolla Sign, whose real name is Tyrone William Griffin Jr., is an American singer, songwriter, and record producer born on April 13, 1985, in Los Angeles, California. He comes from a musical background, with his father being part of the 70s funk band Lakeside. Ty Dolla Sign taught himself to play various musical instruments at a young age and began his music career by learning the bass guitar. He gained initial recognition through his work with rapper YG, particularly for the song “Toot It and Boot It,” which he produced and wrote.

This success led to the release of mixtapes and eventually a recording contract with Atlantic Records in 2012. Ty Dolla Sign has collaborated with artists like Wiz Khalifa and released hit songs such as “Paranoid,” “Blase,” and “Or Nah.” He is known for his versatility in blending R&B and rap genres in his music.

Additionally, Ty Dolla Sign has a daughter named Jailynn Griffin and a younger sister, Angel Gold, who is also pursuing a career in the music industry. As of now, he is in a relationship with Cuban-American singer Lauren Jauregui. Ty Dolla Sign’s estimated net worth is $1.5 million, and he stands at 6 feet 1 inch tall.

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Ty Dolla $ign Addresses ‘Vultures 2’ Delay Post Kanye Collaboration

Ty Dolla $ign and Kanye West’s collaborative album “Vultures 2” has been a topic of anticipation and speculation, especially following the delays and the notoriously bumpy rollout of their previous album, “Vultures 1.” The album was initially set for release on March 8, then pushed back to April 5, and finally released on February 9, 2024. However, it only appeared on streaming services a day later, on February 10, 2024.

This delay and the subsequent release issues were attributed to a dispute with the distribution company FUGA, which led to the album briefly disappearing from Apple Music, as well as legal action over allegedly unauthorized use of samples .

The release of “Vultures 2” was initially planned for May 3, 2024, but it has been delayed for two months from its original planned release date of March 8, 2024. This delay has raised concerns among fans, who are speculating whether the album will suffer another delay, similar to its predecessor. The silence from both artists on social media the day before the album’s alleged release, including West deactivating his X and Instagram accounts, has further fueled speculation.

Despite the delays and the lack of promotion on social media, West collaborator and creative director Aus Taylor posted “Vultures 2 en route” on Instagram, though he did not specify whether the album would arrive on May 3. Some fans are anticipating that the album might not be released as scheduled.

The rollout of “Vultures 1” was notably problematic, with the album initially set for release in December and January before finally dropping on February 9, 2024. This was followed by a delay in its appearance on streaming services until February 10, 2024. The album faced legal issues and distribution problems, including a lawsuit from Donna Summer’s estate for sampling her 1977 hit “I Feel Love” without permission and a dispute with FUGA that led to the album briefly disappearing from Apple Music. These issues, along with the controversy surrounding West’s antisemitic comments and the subsequent loss of his Adidas partnership, have cast a shadow over the release of “Vultures 2”.

Given the history of delays and issues with “Vultures 1,” fans are watching closely to see how “Vultures 2” will fare. The album’s chart performance could be impacted if it is released on May 3, as it would face competition from other albums set for release on the same day, such as Dua Lipa’s “Radical Optimism” and Taylor Swift’s “The Tortured Poets Department.” The success of “Vultures 1” on the charts, with its debut at No. 1 on the Billboard 200 albums chart and the single “Carnival” reaching No. 1 on the Billboard Hot 100, will be a key indicator of the album’s reception.

Legal Issues With Samples in “Vultures 1” Explained

The legal issues surrounding samples in “Vultures 1” by Kanye West and Ty Dolla $ign are multifaceted and involve both cleared and uncleared samples, as well as the broader implications for artists and creators in the music industry.

One of the most notable legal issues was the use of elements from Donna Summer’s “I Feel Love” without a license. This led to the song “Good (Don’t Die)” being pulled from online platforms, highlighting the potential consequences of using unlicensed samples. The incident underscores the importance of obtaining proper clearances for samples and interpolations, which are snippets of other recordings or passages of other songs that are re-recorded. While samples generally require a license from the owner of the recording and the underlying composition, interpolations only require the latter.

The album also faced issues with an uncleared Black Sabbath song. This situation is indicative of the challenges artists face in obtaining clearances for samples, especially when dealing with older material or when the rights holders are not easily accessible. The incident with Black Sabbath’s song illustrates the potential for legal action and the need for artists to ensure that all samples used in their music are properly cleared.

The balance of power in the music industry has shifted towards recording artists, particularly those with significant influence, which can impact the speed and ease with which clearances are obtained. This shift can lead to delays in the release of albums and the negotiation of deals, as artists and their teams may prioritize other aspects of their work over the intricate process of securing clearances.

The process of clearing samples for an album like “Vultures 1” can be complex and time-consuming, potentially requiring upwards of 50 clearances. This complexity underscores the importance of thorough planning and execution in the music production process, especially for albums that heavily rely on samples and interpolations.

The legal issues surrounding “Vultures 1” also reflect broader trends in the music industry, including the challenges of negotiating songwriting credits and royalty splits. These issues can arise when artists collaborate with producers and co-writers but fail to finalize all relevant agreements, potentially leading to disputes and legal action.

Release Date for “Vultures 2” 

As of latest report, there is no official confirmation or update regarding the release of “Vultures 2” by Kanye West and Ty Dolla $ign. The album was initially slated for release on May 3, 2024, but it has not yet been released or appeared on streaming services as of May 2, 2024. Kanye West had previously confirmed this release date on Justin LaBoy’s “The Download” podcast, but the album has not materialized as expected.

The lack of communication from the artists and the absence of the album on streaming platforms have led to speculation and disappointment among fans. Some fans have expressed skepticism and frustration over the repeated delays and the lack of information from the artists, drawing parallels to previous instances of album release delays and the history of Kanye West changing release dates.

Despite the anticipation and the initial announcement of the release date, there has been no official statement from Kanye West or Ty Dolla $ign regarding the current status of “Vultures 2.” The silence from the artists, coupled with the album’s absence from streaming services, has left fans and the media in a state of uncertainty about when or if the album will be released.

Kanye West And Ty Dolla Sign “Vultures 1” Album Inspiration

The inspiration behind “Vultures 1,” the collaborative album by Kanye West and Ty Dolla $ign, is deeply rooted in the evolution of Kanye West’s creative process and the thematic exploration of his personal and social experiences. The album marks a significant shift from the more structured and carefully crafted albums of West’s early career, such as “Late Registration” and “My Beautiful Dark Twisted Fantasy,” to a more rapid and less cohesive approach to music production.

This shift is evident in the album’s release process, which has been characterized by last-minute adjustments and a lack of coherence, as described in the review from Pitchfork.

“Vultures 1” reflects West’s journey through a fraught decade marked by controversy and public apologies for various statements and actions. The album’s themes encompass a wide range of topics, including mental health struggles, personal relationships, and the impact of social abandonment.

These themes are intertwined with the album’s musical style, which is characterized by aggressive tones and a blend of sampled audios and borrowed chord progressions. This production technique, which has been a hallmark of West’s work since his debut, is used to create memorable hooks and harmonic interludes without detracting from the rapping and music production.

The album’s structure is designed to gradually immerse the listener in West’s new music, starting with tracks that are reminiscent of his older work, using melodic hooks and repetition to create memorable tracks. As the album progresses, it features a variety of artists, aiming to convey the assertive nature of West’s music. Towards the end of the album, West focuses on his personal feelings of social deprivation and his relationship with religion, providing a more introspective and reflective conclusion to the album.

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